JEAN TINGUELY Meaning and
Definition
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Jean Tinguely (1925-1991) was a Swiss sculptor and artist, known for his innovative and provocative kinetic sculptures. He was one of the leading figures of the kinetic art movement, which emerged in the 1950s and 1960s.
Tinguely's works were characterized by their use of motion and mechanical elements. He created intricate and often chaotic sculptures that moved, spun, and made noise, challenging the static nature of traditional sculpture. His sculptures were made from found objects, discarded machinery, and industrial materials, assembled in complex arrangements.
Tinguely's aim was to blur the boundaries between art and life, questioning established notions of art and challenging conventional aesthetic norms. His works often conveyed a sense of playfulness, absurdity, and irreverence towards the seriousness of high art.
Tinguely's most famous creation is arguably his large-scale installation "Homage to New York" (1960), which self-destructed in a spectacular manner during its debut exhibition. This act of destruction embodied Tinguely's rejection of permanence and the notion of the artwork as a precious object.
Jean Tinguely's artistic contributions had a significant impact on the development of contemporary sculpture and performance art. His works can be found in major museums and galleries around the world, and his legacy continues to inspire artists interested in exploring the boundaries of art and the interaction between art and technology.
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Etymology of JEAN TINGUELY
The name "Jean Tinguely" is not derived from any specific etymology. It is the actual name of a well-known Swiss sculptor and painter, born on May 22, 1925, in Fribourg, Switzerland, and died on August 30, 1991, in Bern, Switzerland. The name "Jean Tinguely" is simply the artist's given name.
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